![]() And even though the song itself isn't changed at all on the soundtrack, the new context repurposes "You May Call Me Father" into the theme of a noble agent of the light whose desperate quest to avenge his love is tragically misguided. It reappears in Bayonetta 2 with nearly the opposite context instead of being locked in combat with the Card-Carrying Villain Father Balder, you're fighting the unambiguously heroic Balder, whose motivation and valor might even make you feel like the villain for thwarting his quest. You May Call Me Father is a great orchestral score, which matches the character of Father Balder very well - divinely powered, yet darkly natured.Sounding like a sacred cantata Bach would have only dreamed to compose (for its sheer complexity and staggering power), this piece is pure euphoria - which is appropriate, given it's the theme for Jubileus, who is God in female form. "The Greatest Jubilee" is truly one of the best final boss themes ever created.note It has been widely speculated, but not confirmed, that the choirs are singing liturgical lyrics in the Enochian language. The themes of the six most powerful angelic bosses are united in terms of instrumentation and overall atmosphere - all of them feature grandiose orchestral performances paired with powerful choirs.Climatic Battle plays right as you're about to literally take apocalyptic horrors calling themselves angels apart in the most gruesome-cum-awesome method physically possible.The track that plays in the first sections of the Epilogue chapter, Friendship, is nothing less than pure awesome, as it plays as Jeanne, having been released from Balder's mind control, pulls the greatest Big Damn Heroes rescue of the entire game, hitching a ride on a motorcycle onto a rocket heading to space to save Bayonetta.It says a lot about a soundtrack when even the ambient music has so much put into it. "Vigrid Town Areas" is a beautiful combination of jazz with haunting Ominous Latin Chanting.Let's Dance, Boys! plays during the credits.
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